VELUT LUNA CVLD320 - MINGUS WORLD
01 - Monk, Bunk & Vice Versa 4:30
02 - Fables Of Faubus 6:40
03 - Goodbye Pork Pie Hat 4:51
04 - Jelly Roll 3:35
05 - Duke Ellington Sound Of Love / Oh Lord, Don't Let Them Drop That Atomic Bomb On Me 7:55
06 - O.P. 3:10
07 - Sue's Changes 6:18
08 - Jump Monk 4:38
09 - Better Get Hit In Your Soul 4:18
total time: 45:58
All compositions by Charles Mingus
All arrangements by Salvatore Maiore and Maria Vicentini
Maria Vicentini, violin and viola
Salvatore Maiore, cello and double bass
88.2kHz/24bit original recording made live-in-studio at San Giacomo Spazio d'Arte, Italy, on November, 30, 2019
Marco Lincetto choose a pure DECCA TREE recording set up, using three RIBERA R12 vacuum tube microphones
Production: VELUT LUNA
Executive Producer: Marco Lincetto
Balance Engineer: Marco Lincetto
Recording Engineers: Cristiano Zatta & Marco Lincetto
Editing Engineers: Cristiano Zatta & Marco Lincetto
Mix and Mastering Engineer: Marco Lincetto
Photo: Marco Lincetto
Design and layout: L'Image
Più invecchio, più mi irrito per la banalità del racconto sul jazz e sui suoi personaggi rinchiusi nei luoghi comuni che vanno dal “buontempone dalla risata perenne” al “genio e sregolatezza”, passando per una serie di frasi fatte che vi risparmio e mi risparmio.
Più invecchio, più gioisco quando mi imbatto nei lavori di musicisti di ogni generazione che non si fermano alle formulette stereotipate, ma al contrario si attivano in opere di sana ricerca e di approfondimento, guidati da una concezione del jazz come grande crocevia di apporti culturali .
La rilettura dei capolavori di Charles Mingus realizzata da Maria Vicentini e Salvatore Maiore, se da una parte ne mantiene con grande luminosità l’effervescente fiume tematico, dall’altra ne esalta i valori contrappuntistici, la vocazione per il dialogo, il coraggio della sperimentazione, e il gusto per i colori tipico dell’amato Ellington, ma anche di Oscar Pettiford, qui deliziosamente omaggiato con “O.P.”, e non a caso anche lui violoncellista oltre che contrabbassista.
Il tutto con la competenza strumentale, l’impegno nella progettazione del percorso, l’esecuzione “senza trucco e senza inganno”, ma al tempo stesso la leggerezza e la sottile ironia vuoi nelle improvvisazioni quanto negli obbligati che caratterizzano i musicisti maturi ma ancora freschi e creativi, in grado di quel non prendersi troppo sul serio che è in realtà l’anticamera della serietà.
Insomma un bel servizio a Mingus, che se ce ne fosse ancora bisogno, si disvela artista dalle ampie visioni, ben oltre quel borioso e vanitoso attaccabrighe da bar dello sport che tante voci (…compresa quella di lui medesimo…) ci hanno superficialmente descritto.
The more I get older, the more I get angry for the banality of the story about jazz and about its characters limited in common places varying from the “always smiling jolly fellow” to the “genius and recklessness”, passing through a series of readymade sentences I want to spare to you and to myself.
The more I get older, the more I rejoice when I run up into the works of musicians of every generation that do not stop at the stereotyped easy formulas, but, on the contrary, activate in works of research and further analysis, driven by an idea of jazz as an important crossroads of cultural contributions.
The new reading of Charles Mingus’ masterpieces carried out by Maria Vicentini and Salvatore Maiore, on one side keeps its sparkling thematic flow with brilliance, on the other enhances its contrapuntal values, the vocation for dialogue, the courage of experimentation, and the taste for colours, typical of the beloved Ellington, but also of Oscar Pettiford, here deliciously honoured with “O.P.”, not by chance he himself being a cellist and a double bass player as well.
All this with the instrumental competence, the commitment in planning the course, the performance “without tricks and deceits”, but at the same time the lightness and the subtle irony both in the improvvisations and in the obligatos characterising mature but still fresh and creative musicians, so good in not showing themselves too serious, thus showing their seriousness and reliability.
All considered, this is a good service paid to Mingus, who, if it were still necessary, reveals to be an artist with wide visions, much more than the arrogant and vain quarrelsome person superficially described by many voices, including his own.
JUMPIN' WITH METRONOMES
Traditional Italian and American standard from swing era The Metronomes: Francesco Michielin, vocal / Carlo Piccoli, piano / Stefano Fedato, drums Special Guest: Massimo Salvagnini, tenor saxophone 20 Bit Digital Recording. Live in studio at "Tocai Pub", "Osteria Due Spade" (Treviso). Novembre 1996 - March 1997 This record presents a series of famous numbers of the most important American ball orchestras of between the 20s and the 50s, including a tribute to the great Fred Buscaglione. All the songs are executed by an unusual trio consisting of piano, drum and voice along with the tenor saxophone of Massimo Salvagnini, who is a special guest on three tracks. Recorded at a small jazz club with no audience.
Original compositions by Marco Strano, Alessandro Mozzi Marco Strano Ensemble: Marco Strano, saxophones / Alessandro Mozzi, piano / Franco Lion, double bass / Franco Dal Monego, drums / Maurizio Scomparin, Trumpet and fluegelhorn / Paolo Vidaich, percussions / Marta Bevilacqua, guitar / Paola Casula, vocal / Walter Ferrulli, rap 20 Bit Digital recording. Live in studio at Torresino Theatre (Padova, Italy). July, 1997 A first class fusion jazz production combined with a superlative inside design: this is the art-work of Marco Strano, a musician with a versatile personality -as the title of this CD suggests- who presents us with a record highlighted by his beautiful paintings and illustrations and filled with the fantastic notes of his saxophone.
IMPROVVISAMENTE UN GIORNO TRA I MESI
Original compositions by Saverio Tasca, Franco D'Andrea Saverio Tasca, vibraphone and marimba / Franco D'Andrea, Grandpiano 20 Bit Digital Recording. Live in studio at Fondazione Musicale Masiero e Centanin, ArquÃ Petrarca (Italy). September, 1997 Franco D'Andrea is the most important jazz pianist of Italy, an artist who has left his mark on the last thirty years of Italian jazz. Saverio Tasca, a highly trained percussionist and teacher, whose incredible harmonic capabilities manage to give real life to a vibraphone and a marimba.
Classical standards from American songbook Michele Giacomazzi, guitars 20 Bit Digital Recording. Live in studio at Elena Amati garret room (Padova, Italy). January - March, 1998 Says Michele Giacomazzi about his record: "This work is a journey that has the taste of a homecoming. Allow me to explain: less than twenty years ago I had the chance to attend a concert where Philip Catherine and Larry Coryell played pieces by Django Reinhardt, Wes Montgomery and Jim Hall. Later on I met Joe Pass, Barney Kessel, Kenny Burrel.Then this golden list grew with the addition of Pat Metheny, George Benson, Robben Ford and many more. Without obviously forgetting Charlie Parker, Chet Baker, Michel Petrucciani and Toots Thielemans." This record is intended as a tribute to all these great masters.
Original compositions by Paolo Birro and classical standards from American songbook Paolo Birro, grandpiano 20 Bit Digital Recording. Live in studio at Istituto La Montanina, Velo d'Astico (Vicenza, Italy). May, 1998 This work was recorded in the library of a wonderful nineteenth-century villa once home of the famous Italian writer Fogazzaro. The enchanting atmosphere of its pinewood and the delightful dawns can be felt throughout the recording. Paolo Birro caresses the keys of a magnificent Arthur Rubinstein's 1930 Steinway&Sons D 274 Grandpiano. Pieces by C.Porter, I.Berlin, Gershwin, J. Kern and others, with the addition of original works written by the pianist himself.
Original compositions by Mauro Negri, Simone Guiducci Mauro Negri, clarinets / Simone Guiducci, guitars / Fausto Beccalossi, accordion / Achille Succi, bass clarinet / Luigi Sabanelli, basson / Alan Farrington, vocal / Marco Remondini, cello / Andrea Lease, french horn / Carlo Cantini, violin 20 Bit Digital Recording. Live in studio at Teatreno (Mantova, Italy). May, 1998 Mauro Negri, clarinet, and Simone Guiducci, guitar, make up a close (harmonious) duet responsible for this project that revisits original jazz pieces whose origins can be found in the Italian tradition - "a borderline jazz..." writes Marco Cicogna on Audio Review - carried out with a different special guest (musician) playing in every piece. The list is enriched by the presence of clarinet, bass, violoncello, accordion, bassoon, horn and the voice, here used as an instrument.
Original compositions by Sax Four Fun, William Tononi, Paolo Fresu, Bill Lee, Carla Bley, Paul F.Mitchell Sax Four Fun, saxophone quartet / Special guest: Pepito Ros, soprano sax 24Bit / 96 kHz Digital Recording. Live in studio at Sala Polivalente Abano Terme (Padova, Italy). July, 1999 A band of four saxophonists. In this CD, their second, the band strengthen and ratify their style, achieving perfection in its form of expression, a warm groove in their fastest pieces and a bewitching dimension in the ballads. "... A collage where irony and calm join together in a flowing river of fantasy, ending up melting new kaleidoscopic structures that open up to pleasure and joy...", write the critic Vittorio Albani.
LEONI E ALTRI GATTI
Original compositions by Henning Sieverts, Pietro Tonolo, Roberto Dani Pietro Tonolo, saxophones / Henning Sieverts, doublebass and cello / Roberto Dani, drums and percussions 24Bit / 96 kHz Digital Recording. Live in studio at Torresino Theatre (Padova, Italy). July, 1998 Henning Sieverts is a young but already well-known German jazzman, a cellist and a double bass player but, most of all, a long time friend of Pietro Tomolo. Their common passion and love for Venice is the seed from which the main suite of this record sprang up. The guest presence of the drummer Roberto Dani and his endless repertoire of rhythms and tones highlights the extraordinary quality of the recording, whose fascinating and warm sounds were achieved using 24 Bit technology in an empty small theatre of Padua.
Original compositions by Gianni Pirollo Gianni Pirollo, clarinet and alto clarinet / Luca Rossetti, piano / Beppe Gioacchini, percussions / Aldo Lucchini, doublebass 24Bit / 96 kHz Digital Recording. Live in studio at Studio Papillons (Padova, Italy). February, 2000 This is how the authors describe their work: "Our music seeks clarity, melody, smoothness, an interior harmony that recalls the floating of the same planets to which in many pieces the Author refers. We can therefore assist to the melting of pure melody into an improvised paroxysm (Prisma) or to the centripetal whirling of a piece whose stillness hides a desire of escape towards outer worlds (Epicentro)..."
Original compositions by Oscar Del Barba Oscar del Barba, grandpiano / Mauro Negri, clarinets / Markus Stokhausen, trumpet and Fluegelhorn / Sara Michieletto, violin / Paolo Pasoli, viola / Nicola Boscaro, cello / Gianaldo Tatone, second violin 24Bit / 96 kHz Digital Recording. Live in studio at Pollini Auditorium (Padova, Italy). March - April, 2000 The perfect synthesis of modern music mixed with echoes of jazz, brushes of classical music, tastes of ethnic music and bits of experimental music. Nine original pieces by Oscar del Barba, brilliant Italian pianist and composer. Special guest at the trumpet and the flugelhorn, Markus Stockhausen. All the sessions, which are spontaneous and extremely realistic, were recorded live in the studio at the Pollini Auditurium, Padua.
Standards from Italian and American Swing Age, '40 and '50 years. The Metronomes: Francesco Michielin, vocal / Carlo Piccoli, piano / Stefano Fedato, drums / Special Guests: Marco Strano, saxophones / Michele Giacomazzi, guitars / Marco Pasetto, soprano sax / Gianni Pirollo, clarinet / The Diapa Sons, chorus 24Bit / 96 kHz Digital Recording. Live in studio at Studio Papillons (Padova, Italy). January, 2000 The Metronomes' bag of tricks is so profound that it includes a vast repertoire ranging from Italian songs of the 30s and 40s ( "Baciami Piccina, "Mille lire al mese", "Il giovanotto matto, written in 1940 by Lelio Luttazzi in his first twenties), to those of the following years ("Conosci mia cugina"), to American evergreens like Pennies from Heaven, Undecided, Cabaret and even includes modern pieces like Sermonette.
SING WITHOUT WORDS
Original composition by P.Birro, S.Maiore, K.Gregory, R.Dani Paolo Birro, grandpiano / kyle Gregory, trumpet and flugelhorn / Salvatore Maiore, doublebass / Roberto Dani, drums 24Bit / 96 kHz Digital Recording. Live in studio at Teatro Accademico, Castelfranco Veneto (Treviso, Italy) December, 2000 In this work Paolo Birro, Roberto Dani e Salvatore Maiore join the fabulous trumpet of the American Kyle Gregory to give birth to this fantastic creation. Pervaded with the realistic tones of nature, this CD was recorded below the suggestive frame of the eighteenth-century Academic Theatre of Castelfranco Veneto. The result is a delightful project where the firmest canons of the overseas jazz embraces the classical atmospheres of the place and the artists' own cultural background.