Tracklist 01 - 09: 9 Vilote Pavane, per coro femminile (10'14") Music: Adriano Lincetto / Words: Giorgio Erminio Fantelli SolEnsemble, voices 10 - 14: 5 Momenti musicali, per pianoforte solo (9'40") Adriano Lincetto Alberto Boischio, grandpiano 15 - 38: 24 Melodie, per voce vocalizzante e pianoforte (29'31") Adriano Lincetto Tatiana Meira de Agujar, soprano, Alberto Boischio, piano 39: El Testamiento, per voce recitante (4'13") Poemetto in rime di Giorgio Erminio Fantelli Alvaro Gradella, voice
All recordings, mix and mastering are made by Marco Lincetto, using the latest standard in digital and analog technology, based upon custom modified microphones pre-amp, ADC and DAC and the exclusive Ribera Tube Microphones R12 and R47. Production: Velut Luna Executive producer: Marco Lincetto Editing of "9 Vilote Pavane": Michele Sartor Photos: Marco Lincetto, except for SolEnsemble, granted by the group itself Layout and Grophics: L'Image Cover Painting: Danilo Lincetto
VILOTE PAVANE "Vilote" are actually poems written in the ancient language from Veneto region, which had been somehow ?codified? by Angelo Beolco, named Ruzante, author, playwright and actor, born in Padua in 1496 and died in 1542. These poems are about rural themes, mainly connected to the theme of love, under the women?s point of view. Actually it is not a chance that Lincetto chose a female chorus. It is a selection of nine lyrics, derived from a larger collection of approximately a hundred. The musical writing is refined and not technically easy, considering, for example, the incredibly low range contraltos are requested. The stylistic reference to another 19th century important composer from Veneto, Gian Francesco Malipiero, is not trite and refined in its originality. 24 MELODIES Articulated on the 24 tonalities, the Melodies are born as a "plain" exercise for lyrical singers, to whom Adriano Lincetto devoted so much attention in his life and career. Actually, ever since the beginning, the autonomous value of this work was clear, so that a great bassoonist, Leopoldo Armellini, a well-known international interpreter, asked Lincetto to transcribe these Melodies for his instrument. Again, I personally realised a beautiful song from Melody No. 14, in 2015. The song - "Il Chiodo" ? was adapted for a large symphonic orchestra by Simone Tonin, on an original text by Rosella Caporale, who also performed it. 5 MOMENTI MUSICALI These "Musical Moments" are one of the only two compositions that Lincetto devoted to his instrument, the piano solo, in his whole life. In these nine minutes, the original style of the Paduan composer strongly emerges: he merges some indubitable inspiration sources, starting from Debussy to Bartok, but indeed giving them a genuine brand new "imprint", Adriano Lincetto?s. EL TESTAMIENTO This record could not but end with this short "operina" by Giorgio Erminio Fantelli. It is a giocoso short poem in perfect rhymes, simple quatrains written in an invented language, often almost onomatopoeic, based on macaronic Latin and obviously Italian. It is not strictly a literary work, but as professor Fantelli?s complimentary offer to his last students of the intermediate school. In fact, he devoted most of his life to the education of boys and girls in their most critical age, between 11 and 13, teaching Italian literature in the Intermediate School. His role, in primis that of "educator" in the broadest sense, was essential and significant for various generations of students, including the writer of these notes. Marco Lincetto
VENTIQUATTRO MELODIE E ALTRI RACCONTI
CLASSICAL FROM 20th CENTURY: original compositions by Leopoldo Armellini, bassoon / Paolo Muggia, guitar / Ugo Orlandi, mandolin / Fabiano Maniero, trumpet / Luisa Giannini, soprano / Lorella Ruffin, piano / Maura Mazzonetto, piano 20 Bit Digital Recording. Live in studio at Hotel Ritz (Abano Terme), SS.Felice e Fortunato Church (Noale) . January 1997 This is a collection of previously unreleased chamber music by Adriano Lincetto for piano and bassoon, piano and guitar, piano and mandolin, organ and trumpet, organ and soprano. The composition is of great power and sensibility and finds a perfect place within the traditional Mitteleuropean history of the Twentieth Century and among the echoes of Debussy, Malipiero and Omizzolo.
MUSICA PER PIANOFORTE
CLASSIC FROM 20th CENTURY: original compositions by (1905 - 1991) Giovanni Tirindelli, Grandpiano / Romano Zancan Dall'Alba and Annalisa Ogeniti, four hands Grandpiano. 20 Bit Digital Recording. Live in studio at Pollini Auditorium (Padova, Italy). June - October, 1997 These ten studies on the Trillo could be easily called "Transcendental Studies for a Concert", due to their unique artistic virtues and the absolute skill of their talented interpreter, Giovanni Tirindelli. With this work Tirindelli becomes a solid and clear point of reference for those who dare to interpret this fascinating score which represents a consistent continuance of Debussy's work.
MUSICA DA CAMERA
CLASSICAL FROM 20th CENTURY: original compositions by Silvio Omizzolo (1905 - 1991) Ezio Mabilia, Edoardo Lanza, Ines Scarlino, Franco Angeleri, Grandpiano / Giovanni Guglielmo, violin / Elio Peruzzi, clarinet / Giambattista Valdettaro, cello / Tiziana Zoccarato, soprano / Chamber Ensemble: Andrea Danese, flute, Francesca Guerra, hautebois, Ivan villanova, clarinet, Steno Bosso, basson, Eugenio Pegoraro, french horn, Pietro Juvarra, violin, Fulvio Bertagnin, viola, Giordano Pegoraro, cello, Mario Caldieron, doublebass. 20 Bit Digital Recording. Live in studio at Pollini Auditorium (Padova, Italy). June - August, 1997 This other work by Omizzolo, no less interesting than the other, reveals even more the capabilities and the creativity of this multi-talented artist who here presents a journey through his most significant production of chamber music: sonatas for violin, clarinet, violoncello, all accompanied by piano, the solo protagonist of another passage and two pieces for a small chamber music ensemble (9 and 11 instruments) with the addition of a soprano.
CLASSICAL FROM 20th CENTURY: original compositions by Tommaso Vittorini, Giorgio Gaslini, Corrado Pasquotti, John Rea, Terry Riley, Ex Novo Ensemble, John Celona. Ex Novo Ensemble: Daniele Ruggeri, flute / Davide Teodoro, clarinet / Carlo Lazari, violin / Giovanni Petrella, viola / Carlo Teodoro, cello / Aldo Orvieto, piano / Nunzio Dicorato, percussions / Special guest: Pietro tonolo, sax / Conductor: Claudio Ambrosiani / 20 Bit Digital Recording. Live in studio at Studio Papillons (Padova, Italy). January, 1998 At the beginning of the 90s the International Centre of Instrument Research of Venice, directed by Claudio Ambrosini, promoted a project whose aim was to encourage the exchange and mutual integration among different instruments and cultures. This project was called, significantly, "Ouverture" alluding to the strong desire to "open" and stimulate the communication between different worlds and traditions, from ethnical music to jazz, progressive, etc...
ALBENIZ, LINCETTO: PIANO SOLO
â€œRecuerdos de Viajeâ€?, Isaac Albeniz; â€œSchizzi per pianoforteâ€?, Adriano Lincetto Alberto Boischio, grandpiano 20 Bit Digital Recording. Live in studio at Taio Public Auditorium (Trento, Italy). August, 1997 Isaac Albeniz, in his widely famous composition, masterfully performed by Alberto Boschio. The CD also includes some formerly unreleased pieces by the prematurely deceased M° Adriano Lincetto.
ROTA, FRANCAIX, MARTINU - TRIOS FOR PIANO, FLUTE AND VIOLINS
Classical from 20th Century: music from Nino Rota, Jean Francaix, Bohuslav Martinu. Trio Marinetti: Lorella Ruffin, grandpiano / Stefani Maffizzoni, flute / Riccardo Malfatto, violin 20 Bit Digital Recording. Live in studio at "Large Empty Hall" (Padova, Italy). February, 1999 The Marinetti Trio mean to express through "...force, love, courage, cunning and rude will, without hesitation nor rest, by fury, impatience, running at a breakneck speed..." their dynamic, plastic, blazing hot concept of Music.
CLASSICAL FROM 20th CENTURY: original compositions by Claudio Mandonico Orchestra di Mandolini e Chitarre CittÃ di Brescia, Claudio Mandonico, conductor / Alessandro Bono, solo guitar / Ugo Orlandi, solo mandolin / Elena Contin, solo flute / Quintetto a Plettro Raffaele Calace 24Bit / 96 kHz Digital Recording. Live in studio at Rehearsal Hall (Brescia, Italy). October - November, 1999 This CD will be a great and sweet surprise for anyone who will listen to its fantastic content. A new concept of band joining in plectrums and several guest instruments (flutes, harmonica, solo guitar, percussions). The notes range from the atmosphere of great Authors of film music to classical chamber pieces to authentic explosions of rhythm and joy. A sumptuous journey that makes its way along a path of diverse genres like stomp, blues, mambo and concludes with a peculiar "Elegy and Dance" for solo guitar and orchestra.
1842: SCHUMANN, COMPOSER AND CRITIC
CLASSICAL: original compositions by Robert Schumann (quintet, op. 44), Louis Spohr (Trio, op. 111) Trio Stradivari: Federico Guglielmo, violin / Pietro Bosna, cello / Jolanda Violante, piano / special Guests: Carlo Lazari, violin / Enrico Balboni, viola 24Bit / 96 kHz Digital Recording. Live in studio at Gabinetto di Lettura, Este (Padova, Italy). August, 2000 NOT AVAILABLE
CLASSICAL FROM 20th CENTURY: original compositions by Ennio Morricone, Luciano Berio, Giovanni Bonato, Francesco Erle. Mario Brunello, cello / Nuovo Gruppo Italiano di Percussioni, percussions / Schola S.Rocco, vocal ensemble / Vita Nova, vocal ensemble / Saverio Tasca, marimba / Luigi Marasca, clarinet / Conductor: Francesco Erle 24Bit / 96 kHz Digital Recording. Live in studio at Cava Arcari (Vicenza, Italy) September, 2000 The special feature of this CD, a collection of previously unreleased contemporary works of some of the most important Italian Artists, is made even more interesting by the place that was chosen to record it: a huge, dark and humid stone cave.
CLASSICAL: original compositions by Franz Schubert, Robert Schumann. Daniele Roccato, double bass / Marco Tezza, piano 24Bit / 96 kHz Digital Recording. Live in studio at Auditorium Sandro Pertini, Adria (Padova, Italy) May, 2001 The interpretations included in this CD present a really fascinating and creative take on some of the most famous Romantic airs: Fantasiestucke op.73, Romanzen op.94 together with Abendlied from op.85 by Robert Schumann and finally the widely known Schubert's "Arpeggione", a peculiar instrument that can be considered an archaic form of violoncello. Throughout the work the brilliant transcriptions of Daniele Roccato manage to take the original compositions and, strictly keeping their genuine flavour, present them in a newer, fresher series of timbres.
JOHANN SEBASTIAN BACH - CONCERTI BRANDEBURGHESI - 2 C D
CLASSICAL: original compositions by Johann Sebastian Bach Teresa Trevisan and Filippo Trevisan, Grandpianos 24Bit / 96 kHz Digital Recording. Live in Zanta Studio, Camponogara (Venezia, Italy) April 2001 During of the celebrations that took place in 2000 in honour of Bacco, the Trevisan duet presented this interesting transcription of piano pieces for four hands of the famous six Brandeburg Concerts, originally rewritten by Max Reger. The whole work is filled with the extraordinary intensity and magnificence of the interpretations of the Trevisan brothers.
UNUS INTER PARES
CLASSICAL: original compositions by Igor Stravinsky, Bela Bartok, Adriano Lincetto. Alessandro Carbonare, clarinet / Domenico Nordio, violin and viola / Alberto Boischio, piano 24Bit / 96 kHz Digital Recording. Live in studio at Pollini Auditorium (Padova, Italy) April, 2001 Velut Luna dedicates this work to the memory of the Paduan Adriano Lincetto, focusing on the historical background of his origins: the pieces for trio alternate with those for soloists: Histoire du Soldat, in its trio version wich Stravinsky wrote himself and the Three Pieces for solo clarinet, Bartok's Contrasts for trio followed by the Cromatic Sequence for solo flute by Lincetto. His Fantasia for viola, clarinet and piano and the virtuoso Presto are in charge to conclude triumphal airs of the CD.